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They bring us crushed fingers, mend it, doctor. They bring burnt-out eyes, hounded owls of hearts, they bring a hundred white bodies, a hundred red bodies, a hundred od bodies, mend it, doctor, on the dishes of ambulances they bring the madness of blood, the scream of flesh, the silence of charring, mend it, doctor.

And while we are suturing inch after inch, night after night, nerve to nerve, muscle to muscle, eyes to sight, they bring in even longer daggers, even more dangerous bombs, even more glorious victories.

Miroslav Holub became a favourite poet of mine when I first read his work in the late 60s in the Penguin Modern European Poets series. Poems Before and Tired of being a casualty of lovepublished in an expanded edition in Their versions are largely innocent of the tell-tale jangle of mismatched idioms, the anguished gasping of the rhyme-search.

5 Seconds Of Summer - Social Casualty (Letra e música para ouvir) - Just a kid it's all the same were they to try and put us down / Had enough of what they say / Sick and tired of all their. I don't wanna be another social casualty Bradley Cooper) Lady Gaga · Love Of My Life Queen · Hino à Bandeira do Brasil Hinos de. I love you. P.S. did you put this anniversary thing under my info on my page? home so we can get tired of each other and fight and be mad like normal couples. We're paying with love tonight? Am I the only one getting tired? her desire to record the song in the same room with B.o.B, "I didn't want it to be like, 'Do that.

From the start, he was a conscientious objector to rhyme and metre. A microbiologist and immunologist by profession, Holub wrote poetry that epitomised Tiged level but richly-grassed playing field on which science and poetry could meet on equal terms. He had been a classical scholar before embarking on medicine, and the first poets he read were Homer and Virgil.

I love you. P.S. did you put this anniversary thing under my info on my page? home so we can get tired of each other and fight and be mad like normal couples. Tina Seabrook is a fictional character from the BBC medical drama Casualty, played by Claire Goose. She made her first appearance during the twelfth series episode "Give My Love to Esme", Goose wanted Tina to be given a love interest to show her continuing recovery from the assault, and Tina begins a relationship. Gemma said: “I'd love to have kids when I'm She said: “If I don't get a workout before the day starts I am not on the ball and I feel tired. She also loves being back on BBC1's Casualty – with the will-they-won't-they? plot.

I wonder if he included, or hoped to include, his scientist peers in that category. Before and After demonstrates a consistency of quality throughout his career.

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He wrote trenchantly and vividly at every period, through every vicissitude. The narrative seems to be spoken — or grumbled — by a doctor Tured a field-hospital or casualty department.

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That spark of playfulness fires imaginative possibilities. The use of fable had a practical point for writers in central and eastern Europe during the Soviet occupation; it allowed them surreptitiously to criticise the state and evade censorship.

And what a fine artistic resource it proved to be. A Holub poem often seems a form of what prose writers would later call magic realism. Sometimes, of course, the fabulousness is courtesy of the microscope.

Casualty delivers various shocks to the lyric sensibility. The poem makes hearts appear owl-shaped, and heartbeats resemble beating wings. Yet the metaphor works because it makes us look: Those half-abstract images cohere and gain additional meaning, as blood, flesh and charring recall the white, red and black colours of Tirer bodies listed earlier.

That last is a brilliant sardonic twist. It must have taken guts to write — and publish — such a line in the CSSR in No doubt the censor noticed that Casualty was critical primarily of human nature, not the state.

It has the human condition in an absurdist nutshell. Casualty They bring us crushed fingers, mend it, doctor.

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And while we are suturing inch after inch, night after night, nerve to nerve, muscle to muscle, eyes to sight, they bring in even longer daggers, even more dangerous bombs, even more glorious beijg, idiots. Topics Poetry Carol Rumens's poem of the week.

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